(Dick/Kelly/Rothery/Trewavas)
When footlights dim in reverence to prescient passion
forewarned
My audience leaves the stage, floating ahead perfumed shift
Within the stammering silence, the face that launched a thousand
frames
Betrayed by a porcelain tear, a stained career
You played this scene before, you played this scene before
I the mote in your eye, I the mote in your eye
A misplaced reaction
The darkroom unleashes imagination in pornographic images
In which you will always be the star, always be the star,
untouchable
Unapproachable, constant in the darkness
Nursing an erection, a misplaced reaction
With no flower to place before this gravestone
And the walls become enticingly newspaper thin
But that would be developing the negative view
And you have to be exposed in voyeuristic colour
The public act, let you model your shame
On the mannequin catwalk, catwalk
Let the cats walk, and the cat walks
I've played this scene before, I've played this scene before
I the mote in your eye, I the mote in your eye
A misplaced reaction, satisfaction
You can't brush me under the carpet, you can't hide me under the
stairs
The custodian of your private fears, your leading actor of
yesteryear
Who as you crawled out of the alleys of obscurity
Sentenced to rejection in the morass of anonymity
You who I directed with lovers will, you who I let hypnotise the
lens
You who I let bathe in the spotlights glare
You who wiped me from your memory like a greasepaint mask
Just like a greasepaint mask
But now I'm the snake in the grass, the ghost of film reels
past
I'm the producer of your nightmare and the performance has just
begun
It's just begun
Your perimeter of courtiers jerk like celluloid puppets
As you stutter paralysed with rabbits eyes, searing the
shadows
Flooding the wings, to pluck elusive salvation from the
understudy's lips
Retrieve the soliloquy, maintain the obituary
My cue line in the last act and you wait in silent solitude
Waiting for the prompt, waiting for the prompt